#i think the struggle with them is that both of them think they have the most to lose

[lullabyes22-blog]

"I think the cycle only ends when you find the will to walk away."

Got a lot of Q's for this in my inbox. Figured I'd just address them here.

tw: mentions of suicide, suicidal ideation

Re: the ending of S2:

Jinx did not die.

She symbolically killed her old self, and with it, her last ties to the past that imprisoned her. She understood that for her sister to move on and live her life - be happy without guilt - she'd have to renounce the bonds that held them together.

Her talk with ghostly Silco was the 'sign-off' she'd been waiting for, ever his dutiful daughter. Throughout S2, she kept hoping he'd haunt her, and in doing so, offer some impetus given her aimlessness. Maybe just straight up boss her around, and tell her how she's supposed to exist now that he's no longer there to be a (subversive if loving) guiding hand.

But it was the promise of time (as represented by Ekko) healing old wounds, and the courage to feel, as she once had - a hopeful child with a hopeful future - that allowed Jinx to commit impetus to action.

Her blimp-ship in the climactic battle is a tribute to Isha - but also to the child in Jinx's own fractured psyche: Powder. She's letting both little girls have one last hurrah before she takes care of business - and cuts off the last oaths, duties and commitments that bind her to a past whose parameters she's outgrown.

Better still, she knows she's got the capacity to outgrow them.

That was the point of Jinx's arc with Isha, and why, no matter my misgivings on Isha's character herself, I found Jinx's trajectory towards a more nurturing and fun-loving figure more life-affirming and positive than the straightforward 'Daddy's Villain Goes Postal' shtick.

It's even why there's a minigame titled Jinx Fixes Everything. It's Jinx, struggling and stumbling, as she tries to rewrite her narrative, and finds in herself the capacity to do good.

To fix things that seem irreparably broken.

And to understand why she's reached this stage, we've got to let go of our tendency to project our own stuff onto Jinx (precious meow meow, unrepentant terrorist, manic pixie crazypants, edgy hot psycho) and acknowledge the purpose she plays in Arcane's thematic structure.

Jinx's character comes off as a death-seeker, and that's no shocker. She is hounded by terrible guilt and loss. She's got blood on her hands, and ghosts on her heels, and no matter what she does, she can't seem to be rid of them. Her inner mind's fractured, her mannerisms ooze pure chaos, and she seems a creature of pure feral impulse and no mercy.

That's the Jinx we're accustomed to seeing in S1 - except that's also both the front she's most likely to put on during that timeline, and the persona that is necessary for her to inhabit to survive, as Silco's daughter and his top enforcer.

Then Silco kicks the bucket, she symbolically fulfills his dream by shooting at the Council HQ, she accepts that she must inhabit this path of shadows and loneliness (as symbolized by her starkly decorated chair in the tea party scene), she accepts the fragmented push-and-pull between past and present, and...

And now what?

Silco's given her a semblance of direction for six years, and he's gone. Vi, the sister she'd hoped would return, and whom she'd hinged so many childishly idealized hopes on, is herself traumatized, and afraid of what her sister's become.

Jinx has her shadows and her loneliness. Jinx is traumatized. Jinx is suicidal.

But Jinx is still, whatever else, alive.

And all living things need connections.

That's why we as the audience enjoy her little found family dynamic with Isha and Sevika. It's Jinx, taking the first tentative steps to reach out to people beyond Silco and Vi, and realizing, wow, she enjoys the pay-off.

And all throughout S2, we see Jinx growing more and more comfortable in this newfound space - even jealously guarding it at the expense of Zaun's liberty, and Silco's wishes, because she can't bear to lose what she's found.

And what she finds empowers her enough that, when Warwick shows up, she's actually willing to reach out to Vi, and call upon their family connection, because Jinx is learning the value of bonds, not as baling hooks of guilt, but as buoys to carry her forward.

That's the story Jinx's relationships serve to tell in S2. Each one shapes the choice she makes in the finale. Until she learns to accept the past (Vi), to lay the monsters to rest (Silco and Vander/Warwick), forgive herself (Caitlyn) trust that time heals all wounds (Ekko), and hope for happier new beginning (Isha), she'll never trust herself enough to just seize the chance.

Jinx's culminating arc is not about death, much less self-erasure. It's about resurrection, and embracing the sublime chaos of a freed mind, and a lightened spirit. That's what she craves beyond simple death, and what her baptism by fire, blood and riverwater, has been about.

Each trial grinds her down into someone else. Someone new.

Someone closer to who she is meant to be, rather than who she's expected to be.

That's why she's so glad to make the sacrifice for Vi. She's not dying as an act of self-immolation. She's giving her sister - the one who's proven she'll never give up on her - the ultimate gift, and showing Vi that she deserves to live.

She needs Vi to live, so Jinx, the persona, can finally die.

"He (Silco) didn't make Jinx. You did."

She's basically saying, "I love you, I will always be with you, but you are no longer responsible for my actions. Please move forward with your life, and grant me the choice to do the same."

It's two sisters embracing everything they've meant to each other, acknowledging the pain weighing them down on both sides, and welcoming the new so they can each slough off old paradigms and live life as a whole person - or at least take steps to remembering what wholeness feels like.

That's the reason the show's final shots linger on the Hexgate tunnels, Jinx's monkey bomb, and the aircraft.

It's the show's way of reminding us that Jinx has ascended to a different version of her identity - one removed from the past that haunted her. It's Jinx, finally striking out alone, away from the sister whose memory she clung so desperately to, and who was, in turn, horrified by her hand in making Powder a monster (perceived guilt or real, fandom may debate ad nauseum) due to past mistakes and abandonment.

The ending of Arcane isn't tragic. It's deeply hopeful, and serves as a reminder that no matter how damaged you think you are, and no matter how monstrous the world finds you, there are still ways to come back to yourself - or to walk the path toward a new you.

Jinx is symbolized by crows. Jinx is shown with firelights emerging from her mouth. Jinx is depicted holding a torch like Janna ushering in the winds of change.

Thematically, Jinx is change.

And the best way she can embody that change is to write her story, and make it her own.

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

[treasureyourfire]

~ Where is my Soulmate? ~

Welcome Souls~

I am sending my new pick a pile reading for you.~

We often have to travel a long way to find our eternal, romantic soulmate/divine partner. The road leads through struggles, wounds, lessons and healing. We think about where they are, what they do, what their life is like, when we finally find eachother...

I think, "when" is malleable. The decisions we make, how we shape our lives and ourselves can influence it, and perhaps that's more important where we go with our own growth until we meet them. That's why I didn't get into that in the readings.

Choose the image(s) that attracts you the most. Accept from the messages what you can identify with, and let go of the rest~

Illustrations belongs to Jumo.Art (Facebook, Instagramm, Etsy)

Reminder:

* These are not gender-specific readings, I use They/Them pronouns. * These are collective, timeless readings for entertaintment. * I am not a professional reader and readings that I do are a part of my learning process. * The tarot can provide guidance, but you manage your own life according to your free will. Feel free to keep what resonates, and let go of what doesn’t.~ * (English is not my mother language, sorry for the mistakes.)

To what extent are You ready to receive your soulmate? Four of Pentacles, Page of Wands, Sun, Four of Cups, Hierophant

Dear Soul! In this period of your life, you are/have been striving for security, balance, and stability. You plan for the long term, for durability. You focus on building your foundations: it can be your home, your financial situation or your physical body, your health. You are an honest, straightforward person, but cautious. In the past period, you may have closed yourself off a bit to protect everything that is important to you and that you fought for. Maybe you just settled somewhere. You cling to a secure foundation both on the earthly and spiritual planes. At first, under the surface, which may seem stoic and serious, lives a dreamy, enthusiastic, artistic soul with a rich world of emotions. You are ready to use your creativity to develop and enrich yourself with new experiences. Recently, you are starting to open up to the world and come out of your shell. You want to shine like the Sun, enjoy life obliviously, fulfill yourself in it, get the most out of yourself. I feel that your circumstances give you the opportunity to do so. Despite this, you still have moments of skepticism when you feel uncertain. Sometimes you still think about things that didn't go according to your plans. Your experiences and relationships so far have not satisfied your desires and needs, and you cannot really believe that something better than what you experienced in the past can awaits you. However, something that is pure, a sincere gift may appear to you, you just have to break down the barriers built around you and learn to trust again, to believe that the universe -or what you believe in- supports you and encourages you to look at the bigger picture. You are dedicated, you strive to create lasting values in your relationships as well. You would like to share your long-term goals and desires with the right partner to whom you would commit yourself for life. You are looking for a spiritual unity/bond that is solid, where you receive emotional security, mutual trust, intimacy, in which you support and inspire each other, and you can develop together, solving difficulties together.

To what extent are They ready to receive you? Ten of Cups, Eight of Pentacles

Fully! I smile and it fills me with joy when I look at your soulmate’s cards. They are full of love and enthusiasm, they long for a family, a happy home full of laughter and abundance, with you. They think of you as a team, in which they would support you in everything as an equal partner. Maybe lately they have been a little more immersed in their work or other personal projects, but if you find each other, they'll be just as dedicated to your relationship. Maybe they will feel that they have to work for your trust, but they don't mind. They have persistent, hardworking personality. Thoughtful, patient, humble, attentive to details, not intrusive. They will pay attention to you, your signals and what you need. Maybe they will shower you with gifts (if this is what you want), if they see that you like this way of expressing their emotions to you. Maybe they also have an artistic vein, like to create with their hands, and will surprise you with they self-made works. I sense that your soulmate is eager to welcome you into their life, but at the same time they are trying to wait patiently until you are ready to come to them of your own free will.

What symbols and signs will indicate to you that your soulmate is nearby? Knight of Cups

Helmet - It may sounds funny, but I mean a kind of Gallic helmet what the characters wearing in the Asterix stories. Wings (can even be a car emblem) Horse - winged pegasus or earth horse, may be in color white Silver and Blue colors could also dominate. Fish (including goldfish, koi), scales, scaly pattern, wave pattern, Japanese-style waves, which can often be seen in tattoos

When I saw the card, I felt as if my lungs were filled with fresh air. A clean, soothing feeling. I was relieved. Or as if a sip of cool, fresh, clean water had washed my throat. Maybe you will experience similar feelings when you meet them.

Where and under what circumstances will you meet? King of Swords, Tower, Three of Pentacles, Page of Swords

A situation where you need knowledge, wisdom, good judgment, clarity, rationality, good communication skills, clear communication, maybe leadership or organizational skills (you two don't necessarily have to be in a leadership role, but a person of this role can be present). Perhaps in circumstance where there is a sudden change, an unexpected task arises. It maybe include a light tower, but this is a bit special, of course this cannot apply to everyone, the image just flashed in front of me. Planning, re-planning/building (because of the Tower card), learning, discussion, consultation, teamwork, team building. Maybe, possible misunderstandings and doubts should be clarified, the fog should be dispelled with an objective view. Honest, open communication will be required.

Advice: What to focus your energy on in other areas of your life until you meet: Moon, Ace of Cups

Let yourself sink into the depths. The Moon gently asks you to examine your fears in the darkness surrounding you. It invites you to turn inward, do introspection and self-research. All feelings, traumas, ideas, picked-up or learned patterns that intimidate, unsettle and hold you back are hidden in this subconscious depth. Examine what is preventing you from welcoming love (back) into your life, be it romantic or of any kind. By uncovering these barriers in yourself, renewal and healing can begin, and you can open up again to the love that awaits you from both yourself, from the outside world, from your future soulmate. In the quiet retreat, you can prepare yourself for development, for moving on, rebuild your faith in a better future and fill your own cup before coming to the surface again.

To what extent are You ready to receive your soulmate? Reversed Six of Swords, Seven of Cups, Two of Swords, Temperance, The Fool

Dear Soul! You had to get yourself out of a difficult situation. You had a strong resistance to moving on. You may have been haunted by excessive caution, overburden, mistrust (even paranoia) in the past period. You lived in fear, and this internal struggle hindered your progress and development. There was confusion in you and around you. You were unsure of your possibilities, you couldn't determine what your true calling was, what would take you forward, what you could trust, and what was false or (self-)delusional. Maybe it only applies to a small percentage of you who chose the second picture, but maybe someone clouded your clarity with illusions and took away your confidence, maybe gaslighted you. You were confused and waiting for someone or something to rescue you from your hopelessness. You had to make a difficult decision. You needed to exclude all kinds of illusions and external influences, to silence the chaos and your fears in your thoughts in order to find your inner voice. You wanted to finally see clearly and continue your life more consciously. Over time, you overcame your difficulties, the hoped-for enlightenment arrived, you managed to make the decision and move on. The Sun is rising on the horizon for you, an ascension is coming in your life. You are relieved, you are on the road to recovery. Your outer and inner worlds are beginning to harmonize. After a thorough self-examination, you now see yourself more objectively and manage your emotions more consciously. In your bundle you carry your experiences and lessons with you, but you have left the past behind you, you do not let it continue to chain you down. The most important thing is that you are finally free. I wish that the new beginning fills your heart with hope and confidence, and that the knowledge of that you were able to overcome the difficulties gives you the strength to embark on the next, much happier phase of your life that awaits you.

To what extent are They ready to receive you? Four of Swords, Queen of Wands

It seems that your divine partner is resting after a difficult period too, consider things while they are healing (or just recently the healing phase is coming to an end for them). For them, the primary goal during this period is to regenerate and recharge their batteries. They must regain their strength and their love of life. First, they must warm up their own soul, so later, when your paths cross they can invigorate you with their pleasurable personality, and after that, as your relationship deepens, they can embrace you with their caring, devoted warmth. They need to gather courage and fix their self-confidence so that they can see the future more optimistically. It is necessary for them to turn inward now, they must process and understand their own emotions and what happened to them, so that later they can trust their intuition again, which will lead them to you.

What symbols and signs will indicate to you that your soulmate is nearby? King of Swords, Seven of Pentacles, Three of Pentacles

Sword, dagger Butterfly Crown Frog Flying bird(s) Pentagram, star a Ring (jewelry) what you maybe find in an unusual place or one that has one of the listed symbols on it Crescent moon Reaping hook Bunch of grapes Flowers for decoration/ornament/sticker, bouquet the color Blue can play a role

Where and under what circumstances will you meet? Ace of Cups

It seems like a place close to nature, near water, maybe next to a lake, where water lilies float on the water, or in a park, maybe by a fountain (perhaps with coins in it), in company of birds, where you can feed them. A sound of a small bell. I don't know where the jingle came from, but it has a nice, cheerful sound. Maybe you'll hear a similar sound when you meet eachother. You will meet at a time when you are both ready to accept new emotions, a new relationship, when you have reached the appropriate phase of self-care, practicing self-love, when you can give because you have taken care of filling your own cups.

Advice: What to focus your energy on in other areas of your life until you meet: Nine of Cups, Ace of Swords, Reversed Six of Cups, Strength

Take care of yourself, celebrate! Enjoy what you have achieved, reward yourself! Take advantage of the clearing of your thoughts. Let the new ideas and inspirations take you away. You can start to opening up to new communications, new acquaintances and opportunities. Sometimes you may even be filled with nostalgic feelings, which make you play with the idea: "Everything was good in the beginning." "Everything could be like that again." Please don't turn back! Avoid people with energy/vibe that reminds you of the old ones. Stay aware, leave the past in the past, don't nurture old things, ideas, relationships that you have already outgrown for your own benefit, that no longer serve you, they only drain your energy from your present and your future. Try to transform your experience into your strength. Nurture the inner strength to move forward, turn to yourself and your shadows with patience and understanding. Maybe you need to heal your inner child/teen, give yourself the care and love you need and desire. You have endless opportunities to grow and develop, you have the resources you need for further healing, and to tame and silence those shadow creatures that would encourage you to repeat old patterns. Hang in there for yourself, for your recovery.

To what extent are you ready to receive your soulmate? Queen of Wands, Reversed Hierophant, Ten of Cups, Reversed Eight of Wands, Reversed Moon

Dear Soul!

You are full of fire and passion. Confident, creative, intense, emotional, warm-hearted, devoted. You are aware of your values ​​and you are looking for the king/queen in whom you can find an equal partner, who is strong enough to walk beside you, with whom you can create your own empire, like proud lions.

You long to experience all forms and heights of happiness, as well as the feeling of completeness and fulfillment, with a true, supportive partner.

You want this in such a form that you can keep your personal freedom and independence. You don't necessarily desire the bond of marriage in order to meet expected traditions and/or social expectations on paper. Perhaps you have already had a bad experience in the past, disappointment, breakup, divorce, a relationship that did not satisfy you spiritually and emotionally, where your soul could not soar.

Yet you would give your whole heart if you could find your soulmate, the ally with whom you could finally establish a home and live your life in abundance and overflowing love.

Yet there is something that holds you back, paralyzes you. There is an inner tension in you because you want to move forward, but you can't. Things around you are not going the way you want them to. Something always gets in the way, breaks your momentum, your sense of purpose. Whether there are obstacles in the physical world or internal obstacles that do not allow you to continue on the path to your soulmate, they also prevent you from fully opening up and becoming receptive to this attachment.

The voices of anxiety, fear, and uncertainty suppress your own inner voice, which would show you the way to your truer life. To unlock and release this inner barrier, you must turn inward, dive into the darkness, find the source of your fears, and examine it to see clearly. Just observe them in silence, if you let go of the struggle against them, accept their presence, the light of enlightenment may even reach you sooner. Maybe you need a quiet, meditative retreat to find your inner compass, the light of the Moon that illuminates the path you can follow.

To what extent are They ready to receive you? Eight of Cups, Reversed King of Wands, Reversed Three of Wands, Reversed Nine of Pentacles

Meanwhile, your soulmate also tries to move on with difficult feelings and to leave their past, everything that no longer serves them. A period ended for them, and they set out on a new path towards the unknown. There are several challenges ahead of them that they must overcome to reach the top of the mountain, but despite their doubts, a small inner flame drives them on.

For me, the Reversed King of Wands usually does not reveal excessive aggression, but rather a lack of self-confidence, battered confidence. I sense a restless energy from them, like from you.

They obsessively wants to accomplish, or stubbornly sticks to an idea, maybe that’s why they don't listen to their intuition. Maybe that's why it's hard for them to adapt to their changed circumstances.

A new world opened up to them, but they not very optimistic about it. They doubt and hesitate, even though they have all the potential to take control of their life, they just need to rediscover that ability and determination within themself. They really need commitment now to start over. They need to examine their options with foresight, carefully plan their journey and prepare for it before making further decisions. They should not make decisions out of haste or thoughtlessness, and they maybe unwilling, but have to accept the intentions of others to help.

They strives for financial independence and longs for abundance so that they can give the best to their loved ones. They want a stable life where they don't depend on anyone and can enjoy the fruits of their hard work.

What symbols and signs will indicate to you that your soulmate is nearby? Page of Pentacles, Reversed Four of Cups

Pentagram, star

A specific Coin or Jewelry (maybe with one of the listed symbols on it)

Object of longing/admiration - what you get for yourself, or you find something you've been looking for, something you wanted to deal with, something you wanted to know more about, something you admire

Palm tree – (Eggsecutor jumped in my mind, maybe you or them are in the Pokemon fandom but not necessarily)

Unexpected gift/opportunity - You will find a new opportunity/offer that will shake you out of your dullness

Where and under what circumstances will you meet? Reversed Eight of Pentacles

I feel like there is a forced break in this situation. Restrictive circumstances or financial difficulties may play a role in work or study.

Like:

Job interview, job searching, go to employment office, work break, any kind of break in education, forced leave, slow administration/work, long line, long waiting, enrolling in a course, suspended/cancelled/missed/postponed event/course/workshop, unfinished business.

Advice: What to focus your energy on in other areas of your life until you meet: Knight of Wands, Reversed Five of Wands, Reversed Queen of Pentacles

You probably would not like to hear this, but; Patience, dear Soul. You really want this person who can make a difference in your life. You are bubbling with action, you are thirsty for new, exciting experiences, but in order to move away from the dead end, you need to channel your energies into a healthy channel. "Great excitement can also result in a stressful situation that prevents a well-considered decision and correct action." If you get carried away by the intensity, you can get involved in conflicts that don't move you forward, they just eat up your vitality. You need patience, persistence and sanity. It's worth avoiding or not taking stressful situations too seriously, rather use the power of your inner fire to overcome your own internal battles to get closer to what you really want to create. During this period, it is important to sort out restless energies to avoid burnout. Ground yourself, let the flames subside, rest for a while, seek stability. It’s important to take care of your health. Take care of yourself, you need the right physical and mental nourishment to find your center. Think about what foods and nutrients you take in, pay attention to your body's signals. Try meditative activities/techniques that you like, seek contact with nature, be it a walk in the park or time spent with animals, do creative activities, anything what you feel that helps you to relax.

The reading is permeated by the energy of the number 888. A phase of both of your lives is coming to an end so that something much better can begin for you. Abundance and harmony is headed your way, just keep going. You have to prepare and go through some trials, but if you are committed and open to transformation, you will definitely get closer and closer to your desired goals and to each other.

[korralone]

Caitlyn and Vi are truly one of my favorite sapphic romance stories I’ve ever had to the privilege to watch on screen. I’m constantly 🤪 when I think about the amount of story time that was dedicated to them, and the type of story that was told, as that’s not usually what we get with gay romances.

I keep seeing a lot of people dissatisfied/angry/etc with how their story went and it kinda bums me out so I just wanted to use this post to get my thoughts and feelings out (obviously everyone has their own valid opinions and won’t agree with me)

Cait and Vi not being uwu “healthy” 24/7 and their inherent messiness is WHY I find them so compelling. From the moment they met there were already huge factors against them, both indirectly of their control (class struggle, power imbalance) and directly (personality clashes, communication styles). But they somehow grew to love each other anyway.

Caitlyn not saying “I’m sorry” out loud at any point to Vi by the end of the show, I honestly loved it. Because Caitlyn instead apologized with her actions, and Caitlyn’s actions always seem to speak louder than her words. Her letting go of the vengeance that consumed her for so long for Vi’s sake (which ultimately led to her allowing Vi to break Jinx out) was more meaningful to me than if they had some long blow out argument (and Vi recognizing this immediately and jumping Caitlyn’s bones then and there was just *chefs kiss* to me)

They’ll never be perfect. They’ll always have to work at their relationship. It won’t be pretty, sometimes even unfair. They’ll fight and clash and not always agree, but there’s always this persistent feeling of LOVE anyway, and they’ve decided they’ll put in the work to make their relationship last despite it all. And I think it’s beautiful.

[acourtofchaos]

I SWEAR THE DAY I DON'T HAVE HEART PALPITATIONS AND WITNESS MY SOUL ASCENDING OVER YOUR WORK IS THE DAY I HAVE PASSED FROM THIS WORLD.

HOPE YOU'RE READY FOR MY MANY SILLY RAMBLINGS UNDER THE CUT

FIRSTLY THIS,

So when you pushed open the door to the room of requirement a little over ten-minutes later, you hadn't been sure what you were expecting to find. Something darker, maybe. More foreboding. But when the room revealed itself before you—silent, draped in soft moonlight that pooled over the bed with a window wide and open, spilling that pale silver fog across the floor—you almost laughed.

IS GORGEOUS. I LOVE THE EXPECTING OF SOMETHING DARK AND IT BEING SO LIGHT INSTEAD. AND LIKE IT BEING A PERFECT MIRROR OF MATTHEO AND HOW THE EXPECTATION OF THIS NIGHT BETWEEN THEM COULD BE. JUST HONESTLY BEAUTIFUL.

SECONDLY, YOU KNOW I ALWAYS ADORE YOUR CHARACTERISATION OF MATTHEO AND THIS IS NO DIFFERENT.

He turned, finally. His eyes met yours and you saw it—the hesitation, the way his gaze moved over you, slow, cautious. He took in the way the light draped itself over your shoulders, moving lower—and it was as if for the first time, he allowed himself to see you fully, all the details he had so tried to ignore, now right in front of him. He drank them in.

AND

He moved closer, but not close enough. Not yet. His breath was tight, chest rising and falling too fast. The space between you felt like a chasm, though it was barely there at all.

I LOVE THAT HE'S NERVOUS, THAT DESPITE HIM BEING ESSENTIALLY IN CONTROL OF THIS SITUATION GIVEN THAT HE HAS THE EXPERIENCE, HE'S NOT ACTING CONFIDENT OR SMUG. HE'S UNSURE AND I LOVE THE SENSE OF VULNERABILITY.

"I'm not hesitating," he muttered, though the roughness in his voice betrayed him. He knew he shouldn't be here, shouldn't be doing this with you. His best friend's little sister. He wanted to give you every chance to stop this, to walk away. "Just trying not to rush this—rush you."

I JUST WANT TO HOLD HIS PRETTY FACE. I LOVE PATIENT MATTHEO.

His hand caught your wrist, intending to stop you, but his fingers lingered against your skin. Frozen.

"We shouldn't be doing this," he muttered, the words thick in his throat. "Your first time should be—"

"My choice," you interrupted, pressing closer, your body flush against his, your lips brushing his jaw as your hand slid lower, teasing the edge of his belt. "My virginity is mine to give, Mattheo. And I want to give it to you."

He shuddered, your words settling, sinking into the dark space that held you both captive. His hand found your hip, the other threading through your hair, gently tugging your head back to expose the soft skin of your neck."You’re not thinking straight," he rasped. "You'll regret this..."

But even as he said it, his hands tightened, pulling you impossibly closer.

I AM OBSESSED OVER THE WAR WITHIN MATTHEO, THE WAY HIS BODY AND HIS ACTIONS DISREGARD HIS WORDS AND HIS FEAR. I LOVE HER CONFIDENCE IN HER DECISION AND HOW MUCH IT EFFECTS HIM TO HEAR IT.. AAAAAAA SLDKFJDJS GOD I WANT TO MARRY YOU'RE WRITING (and you)

—his brain was struggling to catch up, like he couldn't believe the sudden shift, couldn't quite fathom the boldness with which you undid him.

Until—his hands were on you, spinning you around, your back hitting the desk with a thud.

THE FUCKING SWITCH HERE OMG

You shuddered—you'd never seen him like this before—there was something feral in the way he moved, now, something sharp in the way his hands worked.

His presence consumed the room, and for a moment, it was all you could focus on—the intensity of him, the raw, unfiltered hunger in his eyes.

FERAL MATTHEO. FERAL MATTHEO. FERAL MATTHEO. I'M SCREAMING. HOWLING. CLAWING AT THE WALLS. I'D LET THIS MAN TEAR ME TO PIECES WITHOUT HESITATION.

"That's all you think about, isn't it?" He smirked, lips falling to your neck, tongue tracing the places he knew would wreck you, each soft, wet press making you whimper despite yourself. "You don't care about anything else..." his fingers slipped lower, dipping between your folds—and you cried out, shameless, the sensation unlike any other you'd ever felt. "…not the consequences, not the risk...you just want me…”

I FEEL CALLED OUT.

"You—" you panted, trying to find your voice. Blinking through the haze of lingering bliss. "You can't say things like that."

"Why not?" He chuckled your name against your neck, lips brushing a path to your ear. "Because you might fall in love with me?" His teeth grazed the sensitive spot under your lobe, along your jawline. "Oh wait...you already have."

DAMN FUCKING RIGHT I HAVE YOU SEXY BITCH. GODDDD I KNOW I'VE ALREADY SAID IT BUT YOU JUST WRITE MATTHEO SO PERFECTLY. TO HAVE HIM BE SO FUCKING COCKY DURING SUCH AN OVERWHELMING MOMENT. HE'S A LITTLE SHIT AND I LOVE HIM FOR IT.

His face was a storm—flushed, eyes half-shut—but at your voice they opened and flicked down to yours, and for once, there was no arrogance, no mockery in that stare. Just raw, primal need, burning so fiercely it made you ache. His hips rocked, desperate for more. Painfully. A hole in his chest torn wide open for you to see, and he didn't care. Couldn't care.

THIS!!!!!!! THE IMAGERY!!!!! JUST ALL OF HIS DEFENCES BLOWN AWAY, I LOVE IT SO MUCH

His voice dropped, eyes dark and soft at once as he pushed another finger inside. "You know you’ve always had me wrapped around your fucking finger. You know I care about you—“

His words were too much, pressing on something fragile inside you, and you pulled him into a kiss to shut him up—deep, desperate, drowning.

I'M SOBBING, THE INTENSITY BETWEEN THEM. I CANT BREATHE.

"You've got me," he rasped, hips grinding involuntarily against your hand. "Just—fuck—don't hate me after this."

JUST PUNCH ME IN THE HEART WHY DONT YOU.

His eyes were locked onto yours, all that self-assurance gone, melted into something more human—something raw, unguarded.

You could feel it; the vulnerability of this moment stretched between you both—the distance you'd maintained for so long, the careful walls you'd built, were nothing now. He was in too deep, and so were you.

"Stop me at any time," he whispered, his voice a raw rasp, eyes meeting yours. "Just breathe.”

He leaned down until his lips ghosted over yours, and you kissed him like the world might collapse if you didn't.

EM WHAT THE HELL, I DIDNT EXPECT TO BE AN EMOTIONAL WRECK OVER A VIRGINITY LOSS FIC AT 11AM. GOD THE SOFTNESS IS MAKING ME ACHE.

It was overwhelming—the fullness, the ache that felt like it might split you in two. And yet, beneath the pain, something else stirred. His words, soft and rough all at once, made the sensation bearable, turned the hurt into something else. You focused on his voice, on the way he stroked your hair, the way he held you like you were the most precious thing in the world.

OKAY I'M GOING TO STOP THERE OTHERWISE I'M JUST GOING TO BE PUTTING THE WHOLE FIC IN THIS REBLOG WITH MY SILLY LITTLE ANNOTATIONS. I'M OBSESSED WITH THIS, I LOVE THAT DURING IT HAPPENING THERE'S BARELY A SENTENCE WITHOUT THEM NEEDING TO GASP FOR BREATH, THE INTENSITY OF IT IS JUST PORTRAYED SO WELL. YOU REALLY ARE A MASTER OF YOUR CRAFT AND I'LL BE WORSHIPPING THIS FIC IN MY HEAD FOR WEEKS.

LOVE IT AND LOVE YOU 🖤

SLYTHERINSLUT0’S KINKTOBER

october 4th. mattheo - virginity loss / corruption kink.

PART TWO | kinktober masterlist. | 2024.

summary: pls read part one first for a lil buildup. also. im laughing at myself bc there was a perfectly good bed…right there…

warnings: 18+, SMUT MDNI, virginity loss, PIV, so much dirty talk, so much patience from mattheo, (more of a realistic virginity loss bc it’s not always easy), praise!!!!, slight degradation, fingering, multiorgasm, handjob, best friends lil sister trope.

Mattheo Riddle was so accustomed to this. The pulse of adrenaline in the dead of night, the quiet hum of anticipation stretching every second longer than it needed to be. You weren't naive to that, not to him, nor the danger he carried so effortlessly in his stride. He wore it like a second skin.

But you—you were not accustomed to it. Not to any of this.

So when you pushed open the door to the room of requirement a little over ten-minutes later, you hadn't been sure what you were expecting to find. Something darker, maybe. More foreboding. But when the room revealed itself before you—silent, draped in soft moonlight that pooled over the bed with a window wide and open, spilling that pale silver fog across the floor—you almost laughed.

Too perfect. Too on the nose, like the castle itself had been watching you both for months and had decided this was the moment it would indulge you.

"You're late." Mattheo's voice cut through the quiet.

His back was to you, suit jacket discarded on an old oak desk against the wall, dark curls falling just above his collar as he stood by the window, eyes fixed on the lake. The moonlight made the ripples dance, just like the tension in the room.

You took a step toward him, silent.

He turned, finally. His eyes met yours and you saw it—the hesitation, the way his gaze moved over you, slow, cautious. He took in the way the light draped itself over your shoulders, moving lower—and it was as if for the first time, he allowed himself to see you fully, all the details he had so tried to ignore, now right in front of him. He drank them in.

You gave him a small, nervous smile, hoping it would ease the weight of his stare. "I didn't realize you were the type to keep track of time."

He moved closer, but not close enough. Not yet. His breath was tight, chest rising and falling too fast. The space between you felt like a chasm, though it was barely there at all.

"You've a lot to learn, little girl," he teased, that familiar smirk tugging at the corner of his lips, though it did nothing to mask the conflict in his eyes. It was meant to disarm you, but it only made the air heavier. His jaw tightened. "You're sure about this?"

"Quite sure," you breathed, stepping closer, close enough to admire the sharp line of his jaw, the soft stubble. "You're the one who's hesitating."

"I'm not hesitating," he muttered, though the roughness in his voice betrayed him. He knew he shouldn't be here, shouldn't be doing this with you. His best friend's little sister. He wanted to give you every chance to stop this, to walk away. "Just trying not to rush this—rush you."

You let out a small huff, your hand moving up to find his chest, feeling the rapid thud of his heartbeat beneath your fingertips. Mattheo Riddle was nervous.

"You've been making me wait for months," you whispered. "I don't think a little rushing would hurt."

He swallowed hard, his eyes locked on your hand as it trailed over his chest, lower, teasing. Every touch was a flame against his skin, every breath between you a match struck in the dark. He wanted you, more than anything, but the weight of it—the wrongness, the danger—clawed at his conscience.

His hand caught your wrist, intending to stop you, but his fingers lingered against your skin. Frozen.

"We shouldn't be doing this," he muttered, the words thick in his throat. "Your first time should be—"

"My choice," you interrupted, pressing closer, your body flush against his, your lips brushing his jaw as your hand slid lower, teasing the edge of his belt. "My virginity is mine to give, Mattheo. And I want to give it to you."

He shuddered, your words settling, sinking into the dark space that held you both captive. His hand found your hip, the other threading through your hair, gently tugging your head back to expose the soft skin of your neck.

"You’re not thinking straight," he rasped. "You'll regret this..."

But even as he said it, his hands tightened, pulling you impossibly closer.

"I'll regret nothing." Your fingers slipped lower, grazing his crotch, moving with nothing but instinct and need. Biting your lip, you felt the outline of him, hard and aching under your palm, and squeezed—he grunted, snapping his hips, and you throbbed. "Shit, Mattheo..."

"You are—fuck..." Mattheo's voice was a ragged breath, the words drawn out like he'd been holding them back for months. "...such a little tease."

You let go as quickly as you'd squeezed, and he growled against your skin, fingers tightening in your hair. Your hands found his face, pulling him in, crushing your lips to his. You moved with intent, pushing him back until his thighs hit the edge of the desk, and he groaned again—this low, guttural sound that sent a thrill through you.

You smirked into the kiss, tasting his frustration, savouring the way his defences cracked open. When you pulled back, his chest was heaving, lips swollen, eyes dark with want.

"I learned from the best," you whispered, teasing as your fingers slid down, finding the buckle of his belt. He watched you, every breath uneven, as you worked at the latch, pulling the leather free. "You've had months of fun tormenting me," you continued, moving to the button, the zipper. "Kissing me, only to say it was a mistake. Grabbing my ass every chance you could. Talking sweet when my brother wasn't looking..." your smirk deepened, and you looked up at him through your lashes. "...it's my turn now."

His pants sagged around his hips as you undid them and he cursed under his breath—his brain was struggling to catch up, like he couldn't believe the sudden shift, couldn't quite fathom the boldness with which you undid him.

Until—his hands were on you, spinning you around, your back hitting the desk with a thud.

"You think you're in control here?" His fingers slid up your hips, dragging your dress along with them, baring your skin to the cool air. "You think you have any goddamn idea what you're doing?"

You shuddered—you'd never seen him like this before—there was something feral in the way he moved, now, something sharp in the way his hands worked. His thumbs hooked around your panties and in one swift motion, they were gone—torn down your thighs before he urged you back onto the desk, parting your legs with his torso.

You were breathless, chest heaving, pulse thrumming wildly. His presence consumed the room, and for a moment, it was all you could focus on—the intensity of him, the raw, unfiltered hunger in his eyes.

You stared up at him, mind empty, until—

Smack.

His palm came down on your inner thigh, not hard enough to hurt, but enough to send a jolt of sensation straight to your cunt. Your skin stung from the contact, but that wasn't the part that made you gasp. It was the heat, the way it surged through your veins, flooding your abdomen in a slow, aching pulse. You liked that.

"I asked you a question." His lips brushed against your ear, breath warm as he leaned in. "Two, actually."

You couldn't think, mind swimming—the press of his body, the rough timber of his voice, the weight of his hands as his fingers teased, climbing higher, brushing closer to the ache between your thighs. You sucked in a breath, trying to recall what he'd asked, trying to focus anything but the fire he was lighting in you—

But then, his fingers slipped further, closer, just barely brushing your slit, and your hips jerked involuntarily, chasing that touch.

"No—I don’t—“ the shame in the answer barely mattered. His fingers were so close, so close. "Gods—I just know I want you—"

"That's all you think about, isn't it?" He smirked, lips falling to your neck, tongue tracing the places he knew would wreck you, each soft, wet press making you whimper despite yourself. "You don't care about anything else..." his fingers slipped lower, dipping between your folds—and you cried out, shameless, the sensation unlike any other you'd ever felt. "…not the consequences, not the risk...you just want me…”

Your nails dug into his back and he sucked in a breath through his teeth, wetting his fingers in your arousal before gliding back up to your clit and tracing over it.

"Oh—Gods—" you whinged, moaning into his shoulder.

Mattheo’s hands were experienced—that much was certain. Those fingers knew exactly how to move, precisely how to trace light, delicate circles over your clit that made you twitch, squirm— nerves stripped as you took in the new sensation. It wracked every inch of you, and you could feel him savouring your helplessness, drawing out every ounce of tension that had been building between you for months.

“You’re soaked.” You could hear the disbelief in his voice. “...filthy little thing for me, aren't you?"

"Gods, Mattheo, yes—" your eyes rolled, thighs twitching against his hand. "I am—ohh—"

"Yeah?" His tongue traced a slow, wet path up the side of your neck, teeth dragging over your pulse. "You like this?"

His words were enough to make you want to scream, but no sound formed—just a low, broken moan that spilled from your throat, raw and shameless.

"Answer me," he murmured. "You ever orgasm from this before? Hm?"

"No—" your voice choked, trembling as you squeezed your eyes shut, unable to look at him, something like shame pooling in your stomach. "Oh, fuck—"

"No, what?" His fingers pressed harder, circles growing faster, more insistent, and his voice—Christ, his voice— "I asked you two questions, little slut. Keep up. You wanted this."

"Yes—mmf—I like it—" you whined, the words a desperate spill from your lips, too flustered to form anything coherent. "And no—Gods—you're the first to...to touch me like this..."

He figured as much but the admission tore through him nonetheless, his teeth sinking into your shoulder with a groan—not enough to hurt, but enough to leave a mark, a bruise, a reminder. His hand dipped lower, a finger pushing inside you without warning, pressing deep into your slick heat, and you cried out, your body tightening, pulsing around him, vision swimming.

"And this?" His voice was a smirk against your skin. "You let anyone else inside you like this?"

You knew he already knew the answer. You both did. He was reveling in it—the way he had you, trembling, helpless. You'd never heard him like this, never heard him so crass, so unfiltered, and the way he spoke made your whole body flush with heat.

"No." The word was a strangled moan, barely a breath. "Gods—Mattheo—you already knew that—"

He crooked his finger inside you, and your back arched, the stretch unfamiliar yet mindnumbing, his thumb working your clit. You felt teeth nipping at your earlobe, a hum into your eardrum—his body thrumming with the satisfaction of finally, finally letting himself have you where he wanted.

"Perhaps I did." He added another finger, curling them inside you, his teeth scraping along your neck in a smile. The groan that slipped from your lips was desperate, pained in its pleasure, your body reacting to every new inch of him. "Fucking hell—you can barely take two..."

Your head shook, words failing you. "Gods—Mattheo—I...fuck..."

A low grunt rumbled from his chest, his fingers moving quicker, slick with the evidence of your desire. "Feels good?"

"Yes—" you moaned, breath hitching, vision blurring as he pumped his fingers in and out, building something inside you that you couldn't name, something new, something overwhelming. "I feel—oh, gods—something...happening—"

"You feel something?" His voice was mocking, drenched in that innocent, teasing tone that had you falling apart. "Yeah? What's happening, princess?"

You couldn't find breath, couldn't form the words to answer him. The pressure inside you was mounting, intensity unbearable, your body tense and straining toward an edge. You clung to him, breathless, desperate for more, desperate for something, anything—

"I don't—" your voice broke as his fingers curled deeper, wetness flooding between your thighs, his thumb relentless. "Pressure—fuck—so much—"

He nodded. "Yeah? Pressure in that pretty stomach? Feels fucking good, doesn't it?"

"Fuck—yes, yes," your lids fluttered. "S’good—"

"You're so close." He watched you, drunk on your downfall, and smirked as you neared the edge. "You're going to cum for me."

Sanity shattered in your throat—words trapped, swallowed by the tension, leaving only the soft, unbridled whimpers you once might've once found embarrassing. But there was no shame now, not when you were this close, the pressure coiling tighter in your core, ready to burst.

"Ohh—" you managed, lungs sputtering, head tipping back. The sound of your voice, the way you moaned, was foreign, unfamiliar to your own ears. "Gods—oh fuck-"

"I know," he cooed, sweet like sugar. "I know."

You were a mess. Too close, too overwhelmed—everything was him. His scent, the heat of his skin, the feel of his fingers working that magic that had your body convulsing before you could even cry out, before you could process the way your vision blurred with the force of it. The climax hit like a wave crashing over you, and your moans were swallowed by his kiss, his lips on yours the second your body tightened, shaking against his hand.

He was relentless, rough and insistent, kissing you like he wanted to devour you whole—drowning out the world as your body pulsed around his fingers. You’d never felt such an intense sensation, lava coursing, replacing the blood in your veins. His breath stuttered against your mouth, a low groan vibrating through him, the sound making your spine tingle.

"F-fuck," he muttered, pulling his fingers from you, glistening and wet. "Messy little thing."

The words sent a shiver through you, not just from their meaning but from the way he said them, like something perverse, intimate. Your chest tightened with the warmth of them.

"You—" you panted, trying to find your voice. Blinking through the haze of lingering bliss. "You can't say things like that."

"Why not?" He chuckled your name against your neck, lips brushing a path to your ear. "Because you might fall in love with me?" His teeth grazed the sensitive spot under your lobe, along your jawline. "Oh wait...you already have."

"Shut up," you whispered, stomach flipping at the way he said your name, the way it dripped from his mouth like honey. "Have not."

"I've known for a while, you know," he mused, his voice so low, so quiet. "Don't think I haven't seen it—the way you look at me." He kissed your skin again, working his way up, each press of his lips something sacred, moving closer to your mouth. "The way you can't get enough of me."

You could kill him for it, for the way his words sunk into your bones, making all the feelings you've buried rise to the surface, pulling you under. He just had to go there—had to milk every inch of your composure out of you, because it's not enough for him to have you disarmed physically—sexually—he needed to have you disarmed emotionally, too.

Perhaps the worst part of it all is how right he was. Arrogant bastard.

"Stop talking," your hand drifted down, grazing the bulge in his pants, your fingers slipping under the waistband, rubbing him through the thin fabric of his boxers. It was reckless. You've never done this before, but God, you wanted to. "Stop talking and teach me."

The room tilted—the world off its axis. His breath caught, choked in his lungs as he grabbed your face and pulled your lips to his—his kiss wild, his tongue insistent, running along your gums and wrestling with yours for control.

"Fuck," he groaned into your mouth as you tugged his boxers down, freeing him, your hand wrapping around him. Hot. Hard. "Wrap your fingers around it, princess. Gentle strokes. Just like that."

Your heart stumbled at the sound of his voice, thick, raw and open. You tightened your grip, stroking him slowly, experimentally, and he hissed through his teeth, a groan vibrating through his chest.

"You're so big," you murmured, forehead against his, the words spilling out without thought. "So thick..."

"Fucking minx," he moaned. "Stroking me and telling me how big I am—fuck—you're not as innocent as everyone thinks."

"Only you know this," you whispered, your hand moving in slow, deliberate strokes, pulse soaring as he groaned. "Does it feel good, Matty?"

"Fuck—Christ—" his breath was jagged, words ripped from his throat like they barely wanted to come out, hips jerking mindlessly. "Tighter, mm—little tighter—"

Your cunt throbbed—each whispered invocation of a god not his own, of something he didn't believe in, forced a shudder through you. That's how you knew. Knew how lost he was. He’d no mind left at all if he was muttering muggle gods.

"Like that?" Your fingers squeezed around him, your gaze burning into his as you looked up through fluttering lashes.

His face was a storm—flushed, eyes half-shut—but at your voice they opened and flicked down to yours, and for once, there was no arrogance, no mockery in that stare. Just raw, primal need, burning so fiercely it made you ache. His hips rocked, desperate for more. Painfully. A hole in his chest torn wide open for you to see, and he didn't care. Couldn't care.

"Yeah—shit—just like that," he gritted out, grip on your hips bruising, but you welcomed it. Needed it. "Fast learner, aren't you?"

"You're a good teacher," you whimpered, a sound that was barely yours as his fingers slipped between your thighs, finding your slit, teasing you open again. "Oh—"

"You've always been a little teacher's pet," he groaned, thrusting into your hand as he slipped a finger inside you. The stretch made you wince, pleasure and pain blurring into something that sent sparks behind your eyes. He watched you, gaze molten. "Fuck—it’s gonna hurt, you know that, right?"

The ache spread through you, but you didn't flinch. "I know," you whispered as his thumb found your clit, making you gasp. "I trust you."

"I know you do." His voice dropped, eyes dark and soft at once as he pushed another finger inside. "You know you’ve always had me wrapped around your fucking finger. You know I care about you—“

His words were too much, pressing on something fragile inside you, and you pulled him into a kiss to shut him up—deep, desperate, drowning. Your hand tightened on his length, the heat between you flaring, and you moaned against his mouth, shaking with the need for more.

"I want you," you breathed, each syllable shivering on your lips as you clenched around his fingers. "I've wanted you for months—"

Months? No, it had been years. Years of wanting, needing, watching from afar, heart in your throat. Years of avoiding anyone else because no one was him. You knew he’d felt the same and it killed him. It wasn't logical, wasn't supposed to be like this—not with you, not now, not his best friend's little sister, not him whispering sweet, dangerous things while knuckle-deep inside your virgin cunt.

It was as if you both shook those thoughts from your minds at once. You’ll think about the implications later.

"You've got me," he rasped, hips grinding involuntarily against your hand. "Just—fuck—don't hate me after this."

Hate him? The very idea was laughable, absurd. You could never hate him. Not even in those moments you tried, not even when he deserved it.

"I could never hate you," you murmured, drawing him closer, lips trembling against his. "Just—please—"

Something shifted in his eyes, and he knew. Knew what you needed. What you both needed. You were vulnerable, trembling, but you trusted him—completely. You’d been in his life for so long. You knew he’d never hurt you. He could see it your eyes, the trust, the in the way your body bent to his touch.

"Alright," he said softly, a hand running up your body to cup your face, thumb brushing your cheek. "Alright."

His fingers slid out of you, leaving you bare and breathless, and you swallowed. This was really about to happen.

"Lay back," his voice cut through your haze. "Legs to your chest."

The command wrapped around you like a vice, tightening the anticipation, and you fell back on your elbows, staring up at him as you raised your legs. Vulnerability crept in, making your thighs tense, but Mattheo was there, spreading you open with firm hands, pressing himself against your slick. His eyes were locked onto yours, all that self-assurance gone, melted into something more human—something raw, unguarded.

You could feel it; the vulnerability of this moment stretched between you both—the distance you'd maintained for so long, the careful walls you'd built, were nothing now. He was in too deep, and so were you.

"Stop me at any time," he whispered, his voice a raw rasp, eyes meeting yours. "Just breathe.”

He leaned down until his lips ghosted over yours, and you kissed him like the world might collapse if you didn't. He guided himself against you, the press of him at your entrance an unbearable ache. He was hot, hard, huge—and despite the wetness slicking down your thighs, your body resisted, too tight, too unsure of this.

You whimpered, instinctively trying to pull away, but he stayed, pressing kisses to your hair, your temple, whispering something that sounded like comfort but burned like fire. It hurt more than you expected, more than any of the fantasies you had dared to entertain.

Doubt curled through your chest, what if you couldn't take him? What if—

"M-Mattheo..." his name broke in your throat as you clutched his arm, nails digging into his skin. He tried to push in again, but your body resisted. "It—you—you can't fit..."

"Shh," his lips ghosted over yours, his hand slipping through your hair, trying again, moving slow, controlled. "You're just—so goddamn tight—"

The way he said it sent a spark through your veins. It was filthy, shameless, and it lit you up from the inside, despite the pain. No one had ever spoken to you like this. You swallowed the lump in your throat, tears pricking as he tried to work you open.

And then—he was in.

"I-it hurts," you hissed—pain lighting up your spine as he worked his cockhead inside you, pushing against the resistance of your walls. His breath came in sharp, ragged bursts, each inch a battle. The pressure was unbearable, the sting so sharp it was paralyzing. "Oh, fuck, Mattheo—"

He groaned, a sound from deep within his chest, his head bowing, sweat creeping over his brow.

"Shhh, I know—I know..." he murmured through shredded cords, fighting to maintain control as his hips paused, barely halfway in, just enough to make you feel like you might break. "S'okay...you're doing so good..."

It was overwhelming—the fullness, the ache that felt like it might split you in two. And yet, beneath the pain, something else stirred. His words, soft and rough all at once, made the sensation bearable, turned the hurt into something else. You focused on his voice, on the way he stroked your hair, the way he held you like you were the most precious thing in the world.

"Why—mmff—gods..." you could barely speak, the words tangled in your throat. "Why do you have to be so big—"

A strangled laugh escaped him, though his eyes stayed shut tight, his jaw clenched—cock twitching inside you.

"I don't—fuck—know." His fingers brushed your lips, covering your mouth gently. "Don't go talking like that—not right now—"

You might have laughed, too, if your body wasn't so taut, strung tight with tension and pain and something far more profound. He was barely inside you, his words making your insides clench, drawing another groan from his lips at the squeeze.

His hand held your jaw, palm pressing lightly over your mouth, enough to breathe, to speak—

"Why—" you knew what he meant, knew the warning in his eyes, but you couldn't stop yourself. "—not?"

His breath hitched. "Because—" he swallowed hard, words coming through gritted teeth, his fingers tightening around your jaw, a warning in his grip. "Because—fuck—your mouth will get you in trouble."

Oh. That was what he meant.

"But—oh fuck—you're so...big..." the words slipped out before you could catch them, a disgruntled moan falling from your lips as he sank all the way in, filling you so completely it was dizzying. The pressure, the heat, the sensation of being pried open—it was all too much, and you cried out, unable to stop the sound from spilling out. "Ohhh—so big—"

"I said, fuck," he cursed, hand clamping firm over your mouth now as his body shuddered, as he ground his hips gently into yours. "—don't say that."

It was too late. You didn't need to say anything further. He could feel it—he could feel everything in the way you clenched around him, barely letting him move—so goddamn tight it was almost painful—he could feel it in the look in your eyes, in the trembling of your body beneath his.

"I can feel you thinking it," he grunted as you squirmed beneath him, every movement making him twitch inside you, drawing another choked groan from his throat. "Merlin sakes—"

You knew he wasn't used to this. To slowing down, to drawing out the tension like this, to the maddening slowness of every motion. He wanted to lose himself, to break you open hard and fast, to take and give and take again until both of you shattered into something unrecognizable. But he couldn't—not with the way your eyes glistened, not with the way you gasped and whimpered as he filled you.

"No talking," he sucked in a breath against your neck, his hips rolling into yours in slow, unbearable waves. "Only if you need me to stop."

He was breaking. So were you. Every thrust was an exquisite kind of torture—an ache that twisted and stretched, dulled only by the flick of his fingers against your clit. His lips pressed along your neck, kissed along the line of your jaw, groaning with each deep, patient push, carving his way into you as you clung to him, your mind floating through the fog of pain into something different—something overwhelming.

Your head fell back. “Oh—Oh gods—“

Each gasp felt like it might be your last as that something built deep inside you, tight and unfamiliar, an ache that didn't hurt but begged to be released. And he felt it too—Mattheo felt it, the way your body pulsed beneath his, the way you tightened around him like you couldn't bear to let him go.

"Bloody fuck—are you—are you going to—" his words were ragged, broken. He couldn't finish the thought, couldn't hold himself together. "Are you—"

“Mattheo—” your voice trembled, a breathless moan as your back arched, pressing into him, your body seeking more. The pain was null now, replaced by an overwhelming pressure, something tight and aching and good—you felt every inch of him inside you, every pulse of his cock as he moved, slow but relentless. “Mattheo—oh gods—”

"Fuck—" he bit down, teeth sinking into your neck as his fingers swirled your clit in rhythm with his thrusts. "You're gonna make me—"

You choked because there was no space for words, no breath for anything but the raw sound of your bodies—moans, gasps, ragged inhales tangled together as you both hurtled towards something inevitable. The light of the moon radiated the man above you and that was all you could register other than the rising crescendo of your climax—something so intense it scared you, almost broke you apart—your body seizing, trembling, as his fingers pressed harder against your clit, as he thrust deeper.

And then, there was only one more blink until you shattered beneath him, the orgasm tearing through you in oceanic motion, muscles clenching around him so tightly he could barely move—and then he was there, too, his body jerking as he groaned into your skin, his release ripped from him in jagged gasps as you milked him without mercy. He slumped on top of you, fingers digging into your skin, the two of you pulsing together in the aftermath, the room spinning, your bodies still trembling from the force of it.

The world was slow to return, the roar of sensations fading into something quieter, softer. The weight of him on top of you was grounding—his forehead pressed against the crook of your neck, his chest heaving as he caught his breath. Neither of you moved for a long while, just basked in the silence, kind that settled in after something irrevocable had passed between two people.

And then, Mattheo pushed up, enough to meet your eyes. Your chest ached at the softness inside his own.

“Are you—” he swallowed as he drank you in, the sheen of sweat on your skin, the flushed cheeks. His words hung in the air as if he didn’t know how to finish the question.

“I’m okay,” you nodded, voice hoarse. “I’m good.”

Mattheo nodded too but didn’t move, still buried inside you, just taking you in. Then, gently, he shifted, pulling back with a slow, careful movement that made you wince slightly. The second he’d pulled out, you felt different—more aware of the vulnerability you’d just laid bare, more aware of the line you two had just obliterated into absolute shambles.

“You sure?” he asked, a flicker of something deeper in his gaze—

You nodded again, the smallest smile pulling at your lips, though your heart was still racing, the enormity of it all sinking in.

“Yeah,” you whispered. “I’m sure.”

His jaw tightened, his hand brushing a strand of hair from your face, his thumb lingering on your cheek.

“This changes everything, doesn’t it?” His voice was barely audible, like he didn’t want to admit it out loud.

Of course he was thinking it too—how could he not? This was no longer something you could pretend didn’t exist, no longer something you could hide behind banter and stolen glances and secret kisses.

“Yeah,” you breathed, fingers tracing the line of his jaw, feeling the tension there, the heat still radiating from his skin. “It does.”

[princesskenny1998]

hey can you write a draco malfoy x reader where instances draco is showing signs of softness towards reader? like they aren't close but some students are noticing even the golden trio that he is fond of the reader but reader is oblivious. an example would be reader struggling to carry something to the great hall and draco happen to pass by and help her?

Hello <3

That's a good idea, hope you like it!

Harry Potter | Draco Malfoy x Gryffindor!Reader ~ Helper

It started with small things, too small to be anything but easily overlooked. You’d barely noticed, really, and it was only after Hermione’s nudging that you started to pay attention. But the way Draco Malfoy—the Draco Malfoy, Slytherin prince and known nemesis to all things Gryffindor—acted around you seemed... off. Off, in the sense that he was somehow kind, or at the very least unexpectedly considerate, and in ways that simply didn’t line up with his reputation.

The first time it happened, you’d been balancing a rather tall stack of books, struggling to get them from the library to the Great Hall. You couldn’t see much past the top of the stack, but you were determined to make it without asking for help, ignoring the sore strain in your arms.

“Honestly, Y/N, let me help,” Hermione had tried, reaching out to take some of the books from you.

But you’d waved her off. “I’m fine, really! I can—”

You barely got the words out before colliding with something—or rather, someone. The stack tilted, wobbling, and you braced yourself for the inevitable crash of books spilling all over the floor. But to your surprise, they didn’t fall. Two hands appeared over yours, steadying the pile.

“Careful there, you’re about to topple over,” said a cool voice, and you looked up to find Draco Malfoy staring down at you, a faint smirk tugging at the corners of his mouth.

“Oh, thanks,” you mumbled, caught off guard by the unexpected assistance. You blinked, half-expecting him to make a snide comment, but instead, he adjusted his grip, taking some of the books from the top of the stack without another word.

“Going to the Great Hall?” he asked casually, and when you nodded, he simply fell into step beside you, carrying the books as though it was the most natural thing in the world.

Hermione, who’d been watching the whole scene with a look of pure bewilderment, fell in on your other side. Once you reached the doors of the Great Hall, Draco handed you back the books, offering you a curt nod before striding off toward the Slytherin table as though nothing strange had happened.

“Did... did Malfoy just help you?” Hermione whispered, her brow furrowing in confusion. “Without insulting anyone?”

“I... guess?” you said, feeling just as baffled as she looked.

But you shrugged it off as a fluke, an unusual but meaningless gesture. After all, this was Draco Malfoy—there was no way he’d actually done it out of kindness.

Yet it kept happening.

The next incident was in Potions, a subject where you usually didn’t mind working on your own. Slughorn had paired you with Draco, a twist of fate that might have been concerning had Draco not been unexpectedly cooperative. As the two of you worked to brew the particularly complex Amortentia potion, you’d reached for the ground rose petals only to find the jar was just out of reach.

Before you could think about grabbing a stool to reach it, Draco was there, his arm stretching over yours to retrieve the jar. He handed it to you without comment, his hand brushing yours for a brief moment. His face betrayed no emotion as he went back to his side of the cauldron, focused as if this were all a matter of simple practicality. You weren’t sure if you imagined it, but there was a gentleness in his movements, a subtle care he didn’t usually show in class.

By the end of the lesson, your potion had turned out perfectly, and Slughorn had even given you both a rare word of approval. As you cleaned up your station, Hermione, who’d been working nearby, gave you a significant look.

“He didn’t seem like his usual self, did he?” she murmured, casting a suspicious glance in Draco’s direction.

“Who, Malfoy?” You shrugged. “I think he just wanted to get a good grade. No big deal.”

But Hermione only narrowed her eyes, as if she could see something you couldn’t. It wasn’t just her, though; Harry and Ron had noticed too. After class, they caught up to you in the corridor, exchanging conspiratorial glances.

“Malfoy was being weirdly decent in there,” Harry remarked. “And not just today. Remember the book incident?”

“Probably trying to mess with you, better be careful,” Ron said, but he sounded uncertain.

You laughed, brushing it off. “You lot are making it sound like there's more to it than there really is. He’s just being his weird Malfoy self.”

But even as you said it, you couldn’t ignore the strange, unspoken understanding that had begun forming between you and Draco. There were little gestures here and there—moments when he’d pause to hold a door open for you, or when he’d linger just a second too long after handing you a quill you’d dropped. They were subtle things, things that no one else seemed to notice unless they were watching closely. And your friends had certainly started watching closely.

One day in the library, as you were struggling to reach a thick volume on a high shelf, you felt someone’s presence behind you. Expecting it to be Neville or Hermione, you didn’t think twice about it—until a pale hand appeared, effortlessly pulling the book down and holding it out to you.

“Here,” Draco said, his voice soft but unmistakable.

“Oh. Thanks, Malfoy,” you said, surprised yet again. He’d been helping you more often lately, and you couldn’t quite explain why.

He just nodded, his gaze lingering on you a second longer than usual before he turned and walked away. You stared after him, the weight of his glance lingering even after he was gone.

By now, it had become something of a regular occurrence: Draco being unusually helpful or considerate, in ways that left your friends dumbfounded and you more confused than ever. And while you tried to tell yourself it didn’t mean anything, there was a certain look in his eyes, a certain softness in his gaze, that was hard to ignore.

As winter deepened, you found yourself in the courtyard one chilly afternoon, attempting to light a small fire with a charm you hadn’t quite mastered. The wind kept putting it out, and despite several tries, you hadn’t managed to get the flame to last more than a few seconds.

A soft chuckle sounded behind you, and you turned to see Draco leaning against a nearby pillar, watching you with an amused expression.

“You’re going to catch frostbite at this rate,” he said, coming over to stand beside you. “Let me help.”

Before you could protest, he muttered the charm under his breath, and a steady, warm flame flickered to life between his hands. He released it gently, and it floated into the small pile of kindling you’d been working on, crackling into a cozy blaze.

You looked at him, half-grateful, half-bewildered. “Thank you, but…why are you doing this?”

His expression faltered for a moment, the usual mask slipping just slightly. For a second, he looked almost vulnerable, as though he were considering his next words carefully.

“Maybe,” he began slowly, “I don’t have to be the person everyone thinks I am.” His eyes flicked away, and he cleared his throat, his usual guardedness returning. “Anyway, don’t overthink it.”

And with that, he turned and walked away, leaving you to stare after him, the warmth of the fire mingling with the confusing, lingering warmth in your chest.

By the time spring arrived, it wasn’t just your friends who had noticed Draco’s subtle attentions. Whispers began circulating around the castle. You heard your name linked with his in hushed tones, the rumors painting you as some kind of enigma who’d managed to charm the Slytherin prince himself. You dismissed it all, brushing off the gossip with a laugh. It was Draco, after all; whatever strange kindness he’d shown you, it had to be some fluke.

But your friends were less easily swayed. One evening in the Gryffindor common room, as you were studying with Hermione and Neville while Harry and Ron lounged on the couch nearby, Lavender joined in, and talk turned, inevitably, to Draco.

“I don’t know how you haven’t noticed, Y/N,” Lavender said dreamily. “He’s always watching you in class. It’s almost… sweet.”

“Sweet?” Ron scoffed, though he shot you a curious look. “It’s Malfoy we’re talking about, remember? Are we sure he doesn’t have some hidden agenda?”

“I’m pretty sure he doesn’t,” Neville said thoughtfully. “There’s something different in the way he acts around you, Y/N.”

You rolled your eyes, laughing. “You lot are making way too much of this. Malfoy’s probably just trying to get back at me for some reason. It’s not like he—”

But even as you spoke, you felt a strange flutter in your chest, a flicker of doubt that was hard to shake. Because, deep down, you knew it wasn’t just an act. You’d seen it in his eyes, felt it in those brief, almost tender moments when he’d let his guard down. Draco Malfoy was far more complicated than you’d ever imagined.

Then, one day, everything changed. It was a particularly rough day; you’d been overwhelmed with coursework, stressed over an upcoming exam, and generally exhausted—physically and mentally. You were in the library, nearly on the verge of giving up, when Draco appeared by your side, his expression softer than you’d ever seen it.

“Need a hand?” he asked, his voice gentle.

You looked up, ready to decline, but something in his expression stopped you. You hesitated, then nodded, and for the next hour, he sat beside you, helping you work through the complex spellwork that had been giving you trouble. There were no biting comments, no sarcasm—just a quiet, unexpected patience that left you feeling disarmed and strangely comforted.

When you finished, he didn’t move away immediately. Instead, he lingered, his gaze searching yours as though he wanted to say something important. Your breath caught, and for a moment, the world seemed to hold its breath with you.

“Y/N,” he said, his voice low, almost hesitant, “I—”

But before he could finish, the clock chimed the late hour, breaking the spell between you. He straightened, his expression closing off as if he’d remembered himself. Without another word, he stood and left, leaving you to sit there, confused and with a thousand questions swirling in your mind.

That night, as you lay awake in your dormitory, staring at the ceiling, you couldn’t stop thinking about the way Draco had looked at you—the softness, the uncertainty, the way he’d almost seemed... vulnerable. It was something you’d never associated with him before, and yet it had been there, clear as day.

And you realized, with a dawning, disconcerting clarity, that maybe you’d been oblivious all along.

[o-batll3]

Can I request a laia codina or Kiera walsh fic please 🫶🏻 maybe one where her and reader are friends but they get drunk and sleep together and things are weird for a bit till they decide to keep things casual, no feelings. And at the end can they realise that they have feelings for eachother and get together. Maybe their team helps push them to realise

a night to remember - l.codina x reader

warnings : none, little suggestive

masterlist

you and laia codina have been best friends ever since you both joined arsenal. training together, traveling for matches, and late-night conversations over cups of tea—a bond neither of you had expected to form so quickly. over time, you became inseparable, the kind of friends who knew each other’s thoughts without speaking a word. and tonight, the team’s big victory against a rival club meant the whole squad was out celebrating at a local bar.

the atmosphere is electric; the team is laughing, drinking, and dancing. you’re already a few drinks in when laia challenges you to a tequila shot contest, and there’s no way you can back down.

“alright, y/n, let’s see what you’ve got,” she teases, eyes glinting mischievously as she lines up the glasses.

you smirk, feeling the warmth of the alcohol making you bold. “oh, you’re on, codina. don’t cry when you lose.”

the contest quickly escalates, and before long, both of you are laughing so hard you can barely stay on the barstools. shots blur together, and the world gets hazy around the edges. eventually, the two of you stumble outside, leaning on each other, sharing breathless laughs and struggling to stay upright.

“you know,” laia slurs, “you’re... you’re not half bad, y/n.”

you roll your eyes, the night spinning slightly as you look at her. “and you’re... you’re trouble.”

she raises an eyebrow, grinning in that way that always makes your heart beat a little faster. “oh yeah? prove it.”

before you realize what you’re doing, you’re pulling her in by the collar of her jacket, your lips crashing together. she responds instantly, her arms wrapping around your waist, pulling you closer. the kiss is messy, all heat and urgency, and it feels like a line you’ve just crossed, one that you can’t come back from.

you both break apart, breathing hard, foreheads touching. the world is spinning, and her eyes are darker than you’ve ever seen them, pupils wide with alcohol and something else you don’t dare name.

“my place,” she whispers, voice rough, and you don’t hesitate to nod.

you wake up with a throbbing headache and the weight of an arm draped over your waist. for a moment, you don’t move, confusion and disbelief mingling in your mind. then realization hits: laia. last night. the kiss. the heat of her body against yours. you turn your head slowly and see her, still asleep, hair a mess across the pillow. she looks peaceful, content, and for a second, you think about just staying like this.

but panic sets in. carefully, you slip out from under her arm, grab your clothes, and make your way to the bathroom. you stare at yourself in the mirror, cheeks flushed, lips swollen, and you can’t believe what happened. what you let happen. it was a mistake, right? just a drunken slip-up. you can’t afford to make things weird with laia, not when she’s your best friend and your teammate.

when you step back into the room, she’s stirring, rubbing her eyes with a lazy smile. “hey,” she says softly, voice still rough with sleep.

“hey,” you reply, forcing a casual tone. “i, um, should probably get going. early training tomorrow and all.”

her smile falters just a little, but she nods. “yeah... yeah, of course. see you there.”

you grab your things and leave, heart racing as you practically run out of her apartment, trying to push away the memory of her lips on yours, the feel of her skin under your fingertips.

things are weird after that. not awful, just... different. at training, you catch her glancing at you when she thinks you’re not looking. when you joke around with her like you always do, it feels forced. she’s still laia, and you’re still you, but there’s a tension now, something unspoken hanging in the air. you keep telling yourself it’s fine, that it’ll blow over, but every time you’re near her, all you can think about is that night.

the team notices too. they’re not stupid—especially not the older players, who exchange knowing looks every time you and laia fumble a pass or seem a little too stiff during drills. it doesn’t help that you’re both quieter in the locker room, that the easy banter you used to have has been replaced by careful, measured words.

finally, one evening after training, you find laia waiting for you outside the locker room. she looks nervous, chewing her lip in that way she does when she’s thinking hard about something.

“we need to talk,” she says, and your stomach twists with both relief and dread.

“yeah,” you agree. “we do.”

you walk together to a quiet corner of the training grounds, the evening air cool against your skin. she crosses her arms, looking everywhere but at you. “look, y/n, about that night... i don’t want things to be weird between us.”

you nod, trying to ignore the ache in your chest. “me neither. it was... i mean, we were both drunk. it didn’t mean anything.”

she nods quickly, almost too quickly, and something flashes in her eyes that you can’t quite read. “yeah. exactly. it didn’t mean anything. so... we’re good?”

“we’re good,” you say, forcing a smile that feels like it might crack your face.

things go back to normal, sort of. the tension fades, but it’s still there, simmering just beneath the surface. a few weeks pass, and one night, after another win, you and laia find yourselves back at her place, a few drinks in, the unspoken promise of that first night hanging heavy in the air.

she’s the one who brings it up this time, voice hesitant. “maybe... maybe we could keep it casual. no feelings, no strings. just... fun.”

your heart skips a beat, but you nod. “yeah. no strings.”

and so it begins. late nights at her apartment after matches, stolen kisses in the backseat of the team bus when no one’s watching, and quiet mornings tangled in sheets. you tell yourselves it’s just physical, that there’s nothing deeper there. but each time you leave, you feel a little more hollow, like you’re leaving a part of yourself behind.

it takes a few months for the team to finally step in. you don’t know who starts it, but one by one, your teammates begin to push. viv gives you a knowing smile every time you sit next to laia on the bus. beth corners you in the locker room after training and says, “you know she likes you, right?”

“we’re just friends,” you insist, but even you don’t believe it anymore.

then, during a particularly tense training session, kim pulls both you and laia aside. “whatever’s going on with you two, sort it out,” she says firmly. “it’s affecting your game. and we need you both at your best.”

you and laia exchange a look, and there’s a silent agreement in her eyes. something has to change.

it’s after a hard-fought match, and the adrenaline is still pumping when you find laia alone in the locker room, staring at her phone like it holds the answers to all her problems. without thinking, you cross the room and pull her into a kiss. it’s slow this time, gentle, and when you pull back, she’s staring at you with wide, shocked eyes.

“this isn’t just casual for me,” you admit, voice barely above a whisper. “i think i’ve been lying to myself about that for a while.”

her breath catches, and for a moment, you’re sure she’s going to walk away, but then she’s pulling you back in, her arms tight around your neck, and you can feel the answer in the way she kisses you back. this time, it’s not rushed or desperate. it’s a promise. the way she pulls you hair back whilst whispering sweet nothings and praises has your mind spiralling.

things are different after that. you’re not hiding anymore, and your teammates don’t bother to hide their satisfaction either, cheering and teasing when you and laia walk into training hand-in-hand. the tension is gone, replaced with something steadier, something real.

[fictionalmenxyn]

𝐅𝐫𝐚𝐭 𝐒𝐮𝐦𝐦𝐞𝐫

Pairing: Frat!Rafe x Reader

Warnings: swearing, suggestive, touchy Rafe (flirting/protective manner)

𖣘𖣘𖣘

You press both hands down in the horn.

“Let’s go fuckers it’s summer!”

You toot the horn two more times before hearing Rafe “shut the fuck up, princess! We’re coming, give us a chance!” You laugh as they stock up the back of your light blue bronco with beers and beach chairs.

Today was the first official day of Frat Summer. Meaning there were bond to be thousands of parties and hell of a load of college students getting shit faced and absolutely wrecked.

Frat Summers were like no other. Beach parties. Summer festivals. Concerts. More parties. Some hook ups. Topper and Kelce having their annual ‘how many girls they can kiss in one night’. You and Rafe wondering off on your own. Even more parties. The list goes on.

Rafe climbed into the passenger seat, leaning on the console to reach to you. Kissing your cheek he greeted “hey, you okay?” You nodded “yeah, you?” He nodded.

Topper and Kelce climbed into the back of the bronco. You looked in the rear view mirror “hey guys!” They both said their hellos.

You drove along the front, the breeze growing through your hair. The salt water smell becoming familiar yet exciting.

The boys having conversations of their own as you concentrate on driving. There was going to be a beach party this evening. To kick the summer off with a great start. You pull up to the parking lot. You took your keys out and shoved them into my denim shorts. All four of you getting out of the bronco, you all headed to the trunk.

Grabbing all the booze and beach chairs, you headed for the sand…

𖣘𖣘𖣘

The sky turning into an orange, the breeze getting ever so slightly stronger, the night started to creep up.

You held your corona bottle and danced to the music coming from some random guys speaker. You laughed with a few of your friends that showed up later throughout the evening.

A guy you and Rafe knew, since he was from another frat, started to approach you. He called out “Y/n, right?” You looked over your shoulder “who’s asking?” He chuckled “uh me actually, how’re you?” You turn around “good thanks, uh…” trying to think of his name. He laughed it off “it’s Tyler…” your eyes widen a little “Tyler!…. Right… who are you with tonight?” He nodded his head over to a group of guys “then lot, no girl today… thought you’d be here when I heard Topper and Kelce said you’d might be coming.” You nodded and sipped your drink.

God, this felt so awkward for you. You could feel Rafe’s eyes boring into your head. Well, the guys head, at least.

Rafe kept glancing over, ignoring the conversation he was in with Topper and Kelce. Keeping an eye out for you. Knowing that Tyler was a player and a fucking asshole in Rafe’s eyes. Rafe wasn’t the best, but he was better than Tyler. He treated you like you were the only woman in the world. You were a woman in his eyes, not a girl. Girls are the ones trying to get his attention or try to get in his bed. You though? We’re nothing like those girls.

Rafe had enough when he would see Tyler take another step closer to you. He handed his drink to Topper, saying ‘he’ll be back’.

Rafe casually walks over to the two of you. Acting as if he didn’t want to rip Tyler’s face off for just even approaching you.

Rafe rested his hand on your hip. He gave a nod to Tyler “Tyler, didn’t know you’d show up here…” you knew exactly what Rafe was doing. You hated it due to the cringe you felt. You were glad that Rafe looked out to you. But Rafe would purposely make things awkward so the guy would leave.

Tyler replied “yeah, thought I’d swing by, didn’t expect to be chatting with Y/n this long, eh?” He laughed as if it was a joke. Rafe didn’t laugh and you looked down to the floor resting my palm on your forehead.

Rafe looked down to you, knowing you were struggling to keep your face from cringing. He spoke loud enough for Tyler to hear “hey, sweetheart, can you grab me another drink? Please?” You sigh quietly in relief. You nodded and turn to head over to one of the many coolers.

As you start to walk away, Rafe’s hand connected with your right ass cheek. The smack causes you to roll your eyes. Knowing that was for both him and the fact he wanted Tyler to take his eyes off of you.

You headed over to the cooler grabbing two beer bottles. Using your belt buckle to open them. You walked over to where the guys had settled up their chairs. You sat in Rafe’s seat as he continued ‘chatting’ to Tyler.

After what felt like hours, Rafe returned. You glanced over to Tyler who was walking back over to his friends with his head hanging low.

You look up to Rafe “what the fuck have you said?” Rafe chuckles. Sitting on the towel next to the beach chair you sat on. He rested his head on your knee “just chatted to him that’s all…nothing too bad, princess” you roll your eyes then thought it was probably best not to push it any further.

Rafe wrapped his arm around your leg, tracing patterns into your shin with his fingers.

The night was good, summer had been kicked off to a good start. Even if Rafe had to already deal with a guy trying to chat you up. You couldn’t wait for what else summer may have for you.

𖣘𖣘𖣘

(AN: I’m missing summer sm rn, I hate winter where I live, it’s hardly snow and all rain. Anyways a smut for you all tomorrow! If you want any smut reqs they’re open! Have a good day/night)

[thedandeliongarden]

(red text in the following refers to words used in their original / translation context, and I chose red because I ran out of other colours - did the bit I knew more about first)

Yeah tiki is a pretty ridiculous appropriation. Am I understanding correctly that it means something along the lines of “sacred ancestor”? I’m struggling a little because looking it up is… not a fruitful exercise… so I’d like to check I’m understanding correctly.

I can offer a bit more on the topic of mana/mana, since I’m pretty attuned to that (I actually already knew it was a polynesian loanword / import and the guy who did it was scummier than a pond during an algal bloom) that often gets conflated with the biblical story because the siren call of folk linguistics (aka making shit up) is ever-alluring.

Anyways.

I’m a little curious about the term magicka here - as far as I can tell from a cursory search it’s literally only used to mean magical energy in the elder scrolls game(s?), where otherwise it’s a fairly uncommon word that means “a spell or ritual”.

So it’s more correct usage-wise to say magicka is a stand in for mana (in the game sense) than the other way round.

I think the problem you’ll run into arguing that mana should not be used is that it is so entrenched as the word for magical energy, and so far ahead of the competition:

You occasionally see magic points or spell points, but the former is often abbreviated to mp and interpreted as mana points (another common usage) and both are a bit clunky (being 2 words rather than a proper term) and lame if we’re honest (which probably explains mana’s dominance)

I have encountered other setting-specific words, but none of them were particularly memorable or broadly applicable (and often, as with magicka, they’re an incorrect usage of their word).

So the problem you’re going to run into is that the english word for magical energy is mana, and if you want that to change you need to have a better option to replace it with, otherwise you’ll struggle to accomplish anything.

While I’m (obviously?) not polynesian myself, I’m also not sure it needs to change. Magical energy might not be a technically correct translation / use (…I guess you could argue it makes sense for the contemporary concept of a sorcerer, but that’s such a narrow case it’s silly to even bring it up really) but it isn’t exactly unflattering. I can see the case that it’s insulting because it conflates polynesian culture with backwards mysticism but… look, a majority of folks don’t even know the word is originally polynesian, and honestly the type of magic is presented with often positions itself more as being a beacon of civilisation and rational thought

In a very real sense it’s more like a false friend than anything else at this point (and this happens all the time with e.g. french words in english - beef is not the same as bull/cow but is roughly adjacent), and the scumminess of the guy who brought it over doesn’t change that (and arguing that something is bad because the person who made/started/spread it was bad is honestly a bit of a fruitless purity culture pursuit).

Now that I think about it I’m wondering if a more accurate translation of mana would be something like gravitas?

So… yeah. I’d like to hear your thoughts on all that, sorry it’s a bit long!

people will just use polynesian words completely incorrectly with completely made up meanings while being really offensive and won't even care huh lol

[lipstickchainsaw]

Things I would've liked to see in Arcane S2, in no particular order:

Caitlyn doing some more heinous shit after becoming dictator. Let her be evil, damnit! Let her fuck up the Firelights' sanctuary to achieve whatever goal! Make some people mad!

More of a sense of the power struggle between Ambessa and Caitlyn. Let Caitlyn look into the disappearances as well, or at least give us a sense of what she thinks is going on. Maybe give Shoola something to do after even Salo left. Make the upper class of Piltover feel more alive.

Give Caitlyn the initiative in her turn away from Ambessa, mirror Vi choosing to trust Jinx while facing to Warwick here, and have it take a little more to get them on the same page.

Let Ekko and Jinx actually rally Zaun in the final act. The way they're seen by their people was a pretty big deal, and I would've liked to see that go somewhere in the climax.

Actually, have Zaun actually discuss what to do in the Noxus/Piltover war. Both sides oppressed Zaun pretty badly, so maybe there's some people who want to support Noxus (a very small group), or who figure they're happy to let their enemies fight it out. Let Sevika, Scar and the Jinxers about this.

Hell, let Sevika show up at all after episode 4! Isha was important to her too! Have her and Jinx suggest building a statue for her, like Silco did for Vander, as another notch to help Jinx stand upright.

When Jayce and Mel come back, have them reckon with what Caitlyn did to their city, and have them take some time to forge the place back together.

Let Zaun negotiate with Piltover for their aid! Give them more than just one seat on the council amongst people who already look down on them (although I think Sevika is canny enough to get the most out of it, it's a real consolation price for a group of people willing to abandon their own homies to rally to the defense of yours), and make Ekko a prominent voice here.

Warwick in episode 9 didn't really do much for me. Any of the emotional beats there were already covered in episode 6. Not sure what to do with him instead, though. Maybe make Vi and Jinx protect others from him more explicitly?

By emphasising the Piltover/Zaun conflict more, you can have Vi be more conflicted about where she falls on that divide.

Ambessa also lobbies to get Zaun on board, maybe pulls some Renni shenanigans again. Actually get me invested in that grand climax.

Same goes for Viktor, honestly. Maybe give his conversation with Mel and Jayce a bit more weight. His turn to Ambessa and Singed's side is a bit abrupt (and also very much caused by Jayce killing him, so his moral high ground in that conversation is a bit weird).

Don't make Jayce talk shit about Viktor's terminal illness, goddamnit. Heimerdinger's whole arc was about how corrosive that attitude was, and the conclusion of it was that you can't sit down on your laurels because change will keep happening with or without you. I think that makes for a much more compelling argument against Viktor's philosophy at this point.

No notes on Singed. What a ledge.

Overall, I think the show needed a bit more breathing room to build up to the level the climax was operating on. It left a bit too much of what I cared about behind to get there, and adding an act could've been a way to alleviate some of that.

[apoemaday]

Wildly Constant

by Anne Carson

Sky before dawn is blackish green. Perhaps a sign. I should learn more about signs.

Turning a corner to the harbour the wind hits me a punch in the face.

I always walk in the morning, I don’t know why anymore. Life is short.

My shadow goes before me. With its hood up it looks like a foghorn.

Ice on the road. Ice on the sidewalk. Nowhere to step.

It’s better to step where the little black stones are. Not so slippery.

I guess the little black stones could be lava. Or do I exoticise.

A man hurries past with a small dog. No one says Hello.

A pink schoolgirl passes. Looks in my face. No one says Hello.

Who would expect to see a walking foghorn out so early.

Wind pushes more. I push back. Almost home.

Why did I come here. New wind every day. Life is for pushing back.

Now it is dawn. A gold eyelid opens over the harbour.

People who live here learn not to complain about the wind.

I go inside and make tea. Eat bran flakes. Read three pages of Proust.

Proust is complaining (it is 1914) about the verb savoir as used by journalists.

He says they use it not as a sign of the future but as a sign of their desires –

sign of what they want the future to be. What’s wrong with that? I think. I should learn more about signs.

The first thing I saw the first morning I went out for a walk in Stykkishólmur was a crow

as big as a chair. What’s that chair doing on top of that house? I thought then it flapped away.

A crow that big is called a raven. Corvus corax in Linnaeus’s binomial system. Each one makes a sound

like a whole townful of ravens in the country I come from. Three adjectives that recur

in the literature on ravens are omnivorous. Pernicious.

Monogamous. I’m interested in monogamous. I got married last May

and had my honeymoon in Stykkishólmur. This year I returned to Stykkishólmur to live with my husband

for three months in one small room. This extreme monogamy proved almost too much for us.

Rather than murder each other we rented a second place (Greta’s house)

near the pool. Now we are happily duogamous.

There are ravens on the roof of both places. Perhaps they are the same ravens.

I can’t tell. If Roni Horn were here she’d say ravens

are like water, they are wildly constant. They are a sign of Iceland.

I should learn more about signs. I came to Stykkishólmur to live in a library.

The library contains not books but glaciers. The glaciers are upright.

Silent. As perfectly ordered as books would be. But they are melted.

What would it be like to live in a library of melted books.

With sentences streaming over the floor and all the punctuation settled to the bottom as a residue.

It would be confusing. Unforgivable. A great adventure.

Roni Horn once told me that one of the Antarctic explorers said To be having an adventure

is a sign of incompetence. When I am feeling at my most incompetent

as I do in Stykkishólmur many a dark morning walking into the wind,

I try to conjure in mind something that is the opposite of incompetence. For example the egg.

This perfect form. Perfect content. Perfect food.

In your dreams said a more recent explorer (Anna Freud) you can have your eggs cooked as perfectly as you want

but you cannot eat them. Sometimes at night when I can’t sleep

because of the wind I go and stand in the library of glaciers.

I stand in another world. Not the past not the future. Not paradise not reality not

a dream. An other competence, Wild and constant.

Who knows why it exists. I stand amid glaciers. Listen to the wind outside

falling towards me from the outer edges of night and space. I have no theory of why we are here

or what any of us is a sign of. But a room of melted glaciers rocking in the nightwind of Stykkishólmur

is a good place to ponder it. Each glacier is lit from underneath as memory is.

Proust says memory is of two kinds. There is the daily struggle to recall where we put our reading glasses

and there is a deeper gust of longing that comes up from the bottom of the heart

involuntarily. At sudden times. For surprise reasons.

Here is an excerpt from a letter Proust wrote in 1913: We think we no longer love our dead

but that is because we do not remember them: suddenly we catch sight of an old glove

and burst into tears. Before leaving the library I turn off the lights.

The glaciers go dark. Then I return to Greta’s house. Wake up my husband.

Ask him to make us some eggs.

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[transmisogyny-explained]

[Image Text 1: “I wish to reiterate her message, grim though it may be: There is no salvation awaiting us in a glorified past that does not exist. If we are to advocate for our humanity, our legibility, and our liberty, it will be as a part of something new, something unprecedented, something we do not as yet have names for. You do not want the ‘veneration’ that the holy men of my culture reserve for us.” /End Image Text 1]

[Image Text 2: “Most reprehensible, however, are the attempts to paint any desires for solidarity between hijras and transsexuals as ‘Western imperialism’, or to enshrine their degendering as a valiant ‘decolonial’ effort to preserve non-Western cultures in all their bloodstained glory. As a disowned daughter of this culture, I wish to state in no uncertain terms:

“If a culture’s preservation depends on the violation and degendering of and denial of dignity to my sisters, then it should join every other extant regime that thrives on injustice, upon the ash-heap.” /End Image Text 2]

[Image Text 3: “...marginalization. Sex is not quite as binary as advertised, because the heterosexual regime has always regarded people as one of human, broodmare, or freak. If you are not a person with autonomy, then you are a vessel for those who are … and if you cannot even be that, then you are a waste of flesh, something to be fucked, killed, or both.

“The butch derided and beaten as a delusional ‘he-she’, the tranny who can be endlessly violated, and even the woman who merely refuses to have children, are bound by this commonality. If we cannot participate in reproduction, we must be fixed … or disposed of.”

[Image Text 4: “On that note, we ought to touch upon one of the most sinister omissions regarding this book, tucked away in endnotes on page 166. In the fourth numbered endnote there, Nanda suggests a slew of texts critiquing the ‘cultural construction of transsexualism by the medical and mental health professions’. Among them is Raymond (1979)—The Transsexual Empire.

“The foundational text of anthropological third-sexing of the hijra affirmatively cites the most famous transmisogynist in existence, laundering her bilious, fervent hatred of transsexuals into the annals of the queer academy.” /End Image Text 4]

[Image Text 5: “The Enlightened West, in all its wisdom, already has a Third Sex: the tranny.” /Image Text 5]

[Image Text 6: “(Trans)misogyny is not a cultural value worth preserving. The development of a cross-cultural transsexual and transfeminist consciousness, rooted in the recognition of how our identities and struggles are similarly shaped, is not imperialism. It is a struggle for liberation, one that queer academia is heinously eager to oppose, and one whose proponents shall no longer be spoken over.” /End Image Text 6]

[Image Text 7: “...reverted to appease that selfsame elite). I do not know how to explain to learned academics that sexual objectification and reproductive exploitation were not innovations that the West pioneered, nor do I know how to explain that historical record of ‘asceticism’, of hijra being prescribed a livelihood of begging for alms at ceremonies, is not ‘reverence’ or an ‘institutionalized gender-role’, but marginalization.” /End Image 7]

[Image Text 8: “#oh i didn’t realise this was a recent post.. read it like yesterday when someone linked it elsewhere #gotta say as another desi tgirl. thank you so much for writing this #i was vaguely aware of most of what was touched but i didn’t really the origins of most of it or how to discuss a lot of it #proceeded to go through the rest of your theory [on transmisogyny and lesbophobia] #your writing is wonderfully lucid and i love how you present concepts #the prose feels fantastic to try digest; even if a but dense for me at times #saved” /End Image Text 8]

[Image Text 9: “#as i read i started thinking the author being critiqued sounded more like ‘being nb is more queer than being binary trans: terf edition’ #and then BAM turns out she cited the terf bible just to remove all doubt #misogyny #and transmisogyny but mostly misogyny (in the form of ‘women who can’t bear children are worthless and that’s what transfems are ergo…’)” /End Image Text 9]

The Third Sex

After months of research and painstakingly connecting the threads of transmisogyny theory, queer activism, and field-wide epistemic injustice, I would like to present "The Third Sex": my treatise on a third-world transfeminism.

[lazysoulwriter]

Beyond the Frame - Paul Mescal.

words: 2.730

The soft rustling of leaves filled the air as Paul and (y/n) stepped onto the well-trodden path winding through the Irish countryside. It was a rare day off for them both, nestled in the heart of Wicklow, where nature had claimed every inch with open arms. The trees arched overhead like protectors, their leaves shimmering with morning dew. The air smelled of fresh pine and damp earth, a serene symphony that enveloped them as they wandered deeper into the wilderness.

Paul had insisted on this trip—“A break from the world,” he’d said, with his usual lopsided grin—and (y/n) had agreed, eager to spend the day surrounded by nothing but green hills and the soft cooing of birds. The city had been too much lately, too loud. But here, everything was peaceful.

“Hold still,” Paul called, his voice breaking the stillness but blending so well with the scenery. (y/n) turned to see him, camera in hand, poised to capture her. His hair was tousled from the wind, and a boyish excitement lit up his features.

She laughed, feeling a little self-conscious. “Again?”

He nodded, stepping closer as he focused the lens. “I need to capture the light just right. You know,” he said, almost teasing, “you’re the greatest work of art I’ve ever seen. How could I not take photos of you in every corner of this place?”

(y/n) rolled her eyes playfully, but her heart fluttered at his words. Paul’s charm was something she’d never quite gotten used to, no matter how long they’d been together. “Flattery will get you nowhere, Mr. Mescal,” she teased back, but she stayed still, letting him click away.

They continued their walk, Paul snapping photos at every opportunity—by the riverbank, where the water glistened under the midday sun; in a clearing where wildflowers bloomed in soft, pastel hues; by an old oak tree that must’ve stood for centuries, its roots deep and twisted into the earth. With every shot, Paul’s smile grew, and every time he lowered the camera, he looked at her with a mix of awe and love that made her feel more beautiful than any of the picturesque surroundings.

As the afternoon sun began to dip lower in the sky, they found themselves sitting on a small hill that overlooked the valley. The world below seemed endless, a sea of green with patches of blue sky peeking through the clouds. Paul wrapped an arm around (y/n), pulling her close as they sat in silence for a moment, just listening to the wind.

“You know,” Paul said softly, his voice barely more than a whisper, “I don’t think I’ll ever be able to take a picture that does you justice.”

(y/n) turned to him, brow raised. “Is that so?”

He nodded. “You’re just... you’re not like anything else, not like anything that can be captured in a frame. You’re more real than any photo, more alive. It’s like…” He paused, struggling to find the words. “It’s like the universe took all the beauty it could find and put it into one person. And here you are.”

Her cheeks warmed at his words, and she leaned into him, resting her head on his shoulder. “You have a way with words, Paul. But I think you’re biased.”

“Maybe,” he chuckled, kissing the top of her head. “But I’m okay with that.”

They stayed like that for a long time, watching the sun set in soft, golden waves over the Irish landscape. The world seemed to slow down, and for that moment, it felt like nothing else mattered—no schedules, no work, just them, wrapped in nature and in each other’s presence.

As the last light of day faded and the sky turned to shades of lavender and indigo, Paul picked up the camera one last time. Without saying a word, he captured (y/n) against the backdrop of twilight, her silhouette framed by the colors of dusk.

“Last one,” he promised, grinning. “But you have to admit, you’re the best muse I could ask for.”

(y/n) laughed softly, reaching over to take the camera from him. “Alright, now it’s your turn. Let me take a picture of the man who thinks I’m a masterpiece.”

Paul obliged, leaning back in the grass, a content smile on his face. As (y/n) focused the lens, she couldn’t help but think that this—this day, this love—was the real work of art.

And it was theirs to keep.

[mothiir]

the war hawk

because i need to write some more jagahatai. no cw for this one!

”Stand,” says the Great Khan from his throne, lounging like a true conqueror, safe in the knowledge of his victory. His gur is gigantic, larger than the cathedrals of your city home, and permits a great gathering of people — some his strange white-armoured sons, but mostly humans. They array in a circle around you, with no clear demarcation of rank, and none of the finery that the noble families of your home would display in such a gathering. You get the sense that they are all of one kin, a bond forged in the crucible of war. Perhaps if your own family had set aside its internecine struggles —

No. You cannot think like that. They didn’t. They lost. That is all there is.

You stand with the help of one of your attendants, schooling your face into careful, decorous blankness. You will not dishonour your family by weeping. Women of your family have married for politics for generations — yes, it has been centuries since any of your foremothers were offered up to a warlord in exchange for peace, but it is not your place to bemoan your fate. No: you must be thankful. You must wring gratitude from this misery, because no man found under the stars — or among them — will be charmed by a dour, shivering wretch.

“Yes, my Lord Khan,” you say. “Forgive me — I do not speak your tongue —“

“That is no matter,” he says. “I speak the language of this system well enough.”

Your maid gives you a swift, curious look, which you deliberately ignore — though you share her thoughts. The stories you both heard spoke of barbarian sheep-herders that tore books apart in anger because they could not read them.

“You honour our meagre home with your presence, my Lord,” you say, swooping into another curtsy. The clothing you wear is gorgeous, but highly impractical: a chain mail dress, ornamented with gemstones; a headdress anchored in place with hairpins that bite at your scalp. You wear the tribute, and you are the tribute. Gold, sapphires, precious metals, precious fuels — and livestock. The finest horses, cattle, sheep and poultry that your homeland has.

And you, of course. You who feel that you have more in common with the broodmares and fattened lambs in your entourage than with the crown on your head.

The Great Khan acknowledges your flattery only with the slight incline of his head. His throne is draped in so many furs you cannot see the original shape of it. It looks comfortable. To his left sits three of his sons, clad in their armour, but helmetless. To his right is an elderly man, a hood pulled over his head, so his face is shadowed. An advisor, maybe?

“Your father did not say this when he first met our envoys. We interpreted his broadcast. Sheepfuckers and misfits, he called us,” he says, idly, and your stomach drops into your feet. Instinctively, you pull your handmaids closer to you, grasping their chilly hands with yours.

“My father —“

“And in this letter he sent you with,” the Khan says, unfolding the parchment. It seems tiny in his gigantic hands. “He says that he is but — ‘a worm in the garden of my resplendence’ — he has quite the way with words, does he not? And such a change of heart! A modest man, to say he is but a worm in the garden of a sheepfucker.”

A few of his sons chortle; someone jeers. Your cheeks flame, and you lick your lips before replying.

“My father’s words were misspoken and arrogant.”

“Indeed. And he has learned the error of his ways. As long as he pays his tithes, he and his people will be treated as valued members of the Imperium — and under the protection of the Emperor of Mankind.”

The Great Khan turns back to the parchment, and makes a show of reading further.

“He has some words for you too.”

You swallow thickly. Your mother had been all careful posed dignity when she sent you away; your father had embraced you and wept. His first child; his first girl. His eldest. Sacrificing so much for the sake of her people —

“‘—though she is no great beauty, and is altogether too clever, she is swift to learn, and her mother bore eight children, four of whom were boys, so it is likely that she will likewise be fertile,’” the Khan reads, and something inside you freezes. There are no chuckles now — even if there had been, you would not have heard them over the strange high ringing in your ears. Your fingernails dig into the back of your handmaid’s hand, leaving bloody red crescents; she does not seem to notice; or if she does notice, she does not care. “And if she is not to your liking then rest assured she has sisters, who are fairer and younger and —“

“Don’t you dare!” you shout, without thinking, without considering and — oh by the gods what have you done? And then you remember that these strange men from the stars burn churches and despise worship, and so calling on the gods just makes things worse — and you freeze, heart rabbiting, eyes wide. “I mean, my lord, please — the next-oldest of my sisters is sixteen summers —“

You were born to be a politician — bred to be one — and yet all of your training has been for nothing, for in that moment you are not a diplomat but a sister, white-hot fury pulsing behind your eyes. If you had talons, you’d rip your fathers face from his skull; if you had wings, you’d pull your sisters and handmaids under their span, tuck them safe and secure and hidden. But you have neither: only a clumsy tongue, and rage that stoppers your throat, and grief great enough to drown in. And all the while the Khan watches you, impassive as a hawk; a great predator, with no concern for the mewling of women —

“Jaghatai,” says the cloaked figure to his right, pulling her hood back. “You’re scaring the girl.”

What you had assumed to be a withered old man is in fact a withered old woman, with nut-brown skin, heavy black hair, and bright eyes glittering in folds of corrugated flesh.

“I am — ah,” says the Great Khan, and then his face relaxes minutely. He smiles — though the gesture does nothing to calm you, directed as it is at the woman. “Apologies.”

“Don’t apologise to me, Khan — apologise to your poor bride! Soldiers! Really!”

She stretches like a cat, her joints clicking, and stands. Three of the astartes hasten to help her down the dais, but she waves them away.

“I can manage just fine on my own, boys,” she says, and hobbles her way down to you. She’s barely up to your shoulder, hunched over with age; her clothes are of fine quality, but thoroughly worn. “Honestly.”

“My lady Hoelun — “ one of the men says, but she points her stick at him.

“Tsubodai, I knew you when you were stumbling around after your father’s goats — when I need your help, I shall ask for it. All of you! Useless!”

Instinctively, you curtesy to her. She chuckles, and catches your chin with one gnarled hand.

“Let’s have a look. All your own teeth, no mutations,” she says, tipping your face this way and that. “Clever, that letter said, and I’ll believe that — every woman we’ve met in this system can read and write, which is a blessing, believe me. Half of my grandsons are still learning. They like their bikes and their ponies, what do they need letters for?”

She pinches your cheek.

“Smart, because you knew how to greet the Great Khan. And reckless brave, because you shouted at him. And —“ She looks down at your hands, which still clutch at your whimpering maids. Her gummy smile widens. “And decent too.”

She turns back to the Great Khan.

“You’ll marry this one, Jaghatai. I’ll make the arrangements for the ceremony in two moons time. Until then, we’ll follow tradition.”

The Great Khan does not seem at all surprised at the display. His smile has deepened, and for the first time he looks more like a man than a hunting bird.

“Very well, Mother,” he says. “If you approve — my lady, you will be granted your own household, and a gur large enough to hold them. You may bring women to attend you from your home planet if you wish — or if you prefer, I can name some from within my own family. A hundred head of horse are yours as of today; for each week until our wedding another hundred shall be added to your herd. You will learn our language and our customs, and you will sit in on my council with my mother —“

“My lord — I am no warrior,” you say, and he holds up a hand to silence you.

“No. But I am no politician. An empire can be conquered from the saddle of a horse, but not ruled from one. You will attend council with my mother and learn from her, so that when we are wed you may pick up the governance of this sector in my absence.”

“But — my father is the governor,” you say, brow furrowed, still feeling like you are stumbling to catch up. Hoelun chuckles.

“For now. But who trusts a man who puffs up his chest only to crawl in the dirt with nary an arrow fired?”

The implication of her words should horrify you. You think of your sisters, and you feel only a hesitant, fragile kindling of hope. Hoelun gives your cheek another affectionate — if slightly painful — squeeze.

“Welcome home,” she says.

[miwiheroes]

An Underrated Byler Proof

A lot of people say that the biggest byler proof is the painting, maybe the last shot of season 4 or something like that, but for me, one of the biggest is literally THIS ^^^

This scene is straight after Will calls Jancy 'gross'

Jancy is a canonical couple

Joyce then describes Jancy's relationship as 'in love'

Will denies that he will 'fall in love', meaning he does not think he will have a relationship like Jancy

He is in love with Mike and does not believe that he loves him back.

It would not be satisfying for Will's hopelessness to come true. (Mike rejecting him)

ERGO.....

This doesn't just foreshadow that Will's going to fall in love with Mike, it foreshadows that he'll be in a relationship.

I don't think that Joyce or Will here is referring to the simple action of falling in love with someone or having feelings for them, I think that they are both referring to falling in love together and acting like a couple, like Jancy does.

Will has these two core beliefs:

That Mike won't love him back.

That he isn't allowed to have a relationship because he's gay.

In this scene:

I think it not only makes sense for him to be sad about being left behind and being in love with Mike while El's with him, I think he's also sad about: A) the fact that he wants to do these relationship-y things with Mike and can't and B) the fact that because he's gay, he likely won't even be able to have a public relationship at all.

So when Will says he isn’t going to fall in love in the previous scene, he is saying this because he believes that his feelings are not going to be reciprocated, rather than feeling like he won't have feelings for anyone. He’s saying that it’s impossible for those feelings to be mutual.

In this season as well, (s3) we see that Will is coming to terms with being gay, as in season 4 he has kind of accepted it, seeing that he made the painting for Mike, which is a stand-in for his feelings.

He's struggling with his childhood rather than the mindflayer this time, his friends are getting girlfriends while he just wants to play games with them instead. The real reason for him wanting to play games is so he doesn't have to feel left out from the fact he can never have a relationship like them.

Also: he's falling in love with mike and uhhh very much struggling with that-

In season 4, he's accepted that he's not going to 'fall in love with' Mike, as in he won't have his relationship with him, and so instead of using his painting to tell him his true feelings, he uses it instead to make him feel better and try and make him happy in an act of self-sabotage.

Now, going back to the original scene.

It would make no sense for the writers on a show about outsiders and overcoming obstacles in a marginalising society to have will, a boy who has always believed he'd never be able to have a normal relationship, let alone with the person he loves, to end up dead or have those beliefs be true.

They set up the fact that he's so hopeless about never being in a relationship so that it's even more satisfying when he does.